FACTS TO CONSIDER
Augusto Tamayo is the director More money has been received from: 628, $ 000, including awards and IBERMEDIA CONACINE. His last three films have won awards and has had no impact or at the box office or major festivals.
Augusto Tamayo is the director who most often have received money from state. Eight times in different categories. His latest film, "The Vigil" did not reach the 10 000 spectators.
Alberto "Chicho" Durant just won Ibermedia 2010-2, becoming three-time champion, is the third time since receiving the aid. His previous two films did not get awards. Nor transcended within the national cinema. Actually had a little revenue and disappointing reviews from the critics. Together
Tamayo, Francisco Lombardi Durant won by turns, without interruption every year since 1996. In 2005 Peru not participate in the CONACINE Ibermedia negligence, however, the draft Durant temporary closure in 2006, earning the award.
Tamayo, Francisco Lombardi Durant won by turns, without interruption every year since 1996. In 2005 Peru not participate in the CONACINE Ibermedia negligence, however, the draft Durant temporary closure in 2006, earning the award.
Tamayo and Lombardi holds the record for having won all the categories were presented: Development, Delivery and Co in Ibermedia and Production, Post Production and Distribution in CONACINE.
Tamayo "The Vigil" heads the film as more prize money awarded by the state. Ibermedia won 2008 in Co: $ 90.000, CONACINE 2009 Post production: 205.000 PEN CONACINE 2010 Distribution: 80,000 soles, Ibermedia 2010 Delivery: $ 8.000. The movie flopped at the box office and critical.
Frank Pérez Garland, Natalie Hendricx, producer of Augusto Tamayo, Durant, Lombardi and Gustavo Sanchez, producer of films Lombardi and Eduardo Mendoza, form the board of the APCP (Motion Picture Association of Peru ), an organization that has a majority on the Board of CONACINE. Sanchez is the President of the Association.
The young filmmaker Pérez Garland seems to enter the elite and lucky, getting wins for two consecutive years: 2008 CONACINE: $ 160.000 and 2009 CONACINE: Post Production $ 25.000. To obtain by award Ibermedia CONACINE keep the streak of three straight years winning funds.
Sounds Live "is the documentary that has won more money the state has won: a total of $ 225.000 from CONACINE and Ibermedia. Luis Quequezana, producer of the documentary is the former girlfriend Rosa Maria Oliart CONACINE Chair and professor at the University at the time of winning the prizes.
AWARDS SUMMARY CONACINE
CHICHO DURANT: $ 225.000 received
AUGUSTO TAMAYO: $ 370.000 received
FRANCISCO LOMBARDI -GUSTAVO SANCHEZ: $ 265.000 received
SUMMARY IBERMEDIA
CHICHO DURANT: $ 270.000 received
AUGUSTO TAMAYO: 258.000 dollars received
-GUSTAVO SANCHEZ FRANCISCO LOMBARDI: $ 235.000 received
The three filmmakers, who encourage Swine Act have won two times the background to Co, but Durant wins everything presented. In fact just returned to win, becoming the biggest beneficiary of Ibermedia director. We should recall that his last three films, Courage, and The Game Double Award (all benefited from CONACINE) had no impact either in Peru or abroad.
CONACINE + IBERMEDIA
CONACINE and Ibermedia addition, the total amounts they received these directors.
AUGUSTO TAMAYO: $ 628.000 received
-GUSTAVO SANCHEZ FRANCISCO LOMBARDI: $ 500.000 received
CHICHO DURANT: $ 495.000 received.
SOME CONCLUSIONS
Filmmakers "true" which referred to Mr. Carlos Raffo, those who defend the law Swine are exactly those from remote years receive the greatest benefits of a CONACINE, which seems designed to help a few. The intention of a body such as CONACINE is to create the foundations for a Peruvian film industry, an industry living directors, scriptwriters, technicians, actors, broadcasters, distributors, critics and viewers. Mr. Raffo hints that you are looking for Swine Act is spread mainly national cinema, but filmmakers who now appear as advocates and leaders of the Swine Act have done little to develop the Peruvian movie, concerned more to develop their own projects. And this despite the large amount of money the state has granted in recent years. If we add to that the films fail to interest the audience and, worse, that they say they are not concerned that the public will see them, because then it is valid to ask why now are interested in distributing movies Peru. There will be more of that interest, as they have been demonstrating in recent years, is to receive money to continue making films, taking turns at the table to continue winning jury awards, now with the support of the majors.
sobering. Above all reflecting on ten points more than a surprise. We should ask: if so far, these filmmakers have been moved by personal interests, why now are so committed to a law, obviously, negative and cheating that makes the Peruvian film dependent on the willingness of foreign distributors? Following the breakdown of prizes and Ibermedia CONACINE and how they no longer systematically favor the filmmakers 'true'.
sobering. Above all reflecting on ten points more than a surprise. We should ask: if so far, these filmmakers have been moved by personal interests, why now are so committed to a law, obviously, negative and cheating that makes the Peruvian film dependent on the willingness of foreign distributors? Following the breakdown of prizes and Ibermedia CONACINE and how they no longer systematically favor the filmmakers 'true'.
CONACINE RESULTS (1996 - 2010)
1996: Chicho Durant (Courage): 429.000 soles (160,000 dollars change the time)
1997: Augusto Tamayo (The Elusive Good): 648.000 soles (240,000 dollars change the time)
1998 : Alvaro Velarde (Fate plays no favorites), produced by Gustavo Sanchez, who even appears in the film playing a priest.
1999: No contest
2000: Gustavo Sánchez (Django, The Other Side): 783.000 soles (225,000 dollars change the time)
2001: No contest
2002: No contest
2003 : No contest was
2004: No contest
2005: Ronnie Temoche (The Inca, The Son of Boba and the Thief / Production): 431.000 soles (140,000 dollars change of the time)
2006 : Augusto Tamayo (A Shadow Front / Post Production): 70.000 soles (25.000 dollars change the time)
Francisco Lombardi (Mariposa Negra / Post Production): 70.000 soles (25.000 dollars change of the time)
2007: Won other
2008 : Chicho Durant (Award / Post Production): 180,000 soles ($ 65.000 to change the time)
Francisco Lombardi (One Body Nude / Post Production): 180.000 soles ($ 65.000 to change the time)
Frank Pérez Garland (Four / Production): 450,000 (160,000 dollars change the time)
2009 : Francisco Lombardi (She / Production): 400,000 soles (145,000 dollars change the time)
Augusto Tamayo (La Vigilia / Post Production): 205.000 soles ($ 75,000 to change the time)
Frank Pérez Garland (Four / Distribution): 70.000 (25.000 dollars change the time)
2010: Francisco Lombardi (S / Distribution): 80,000 soles ($ 30,000)
Augusto Tamayo (La Vigilia / Distribution) 80,000 soles (30.000 dollars change the time)
Eduardo Mendoza - Gustavo Sanchez, producer (Bolero / Evening Post Production) 210,000 soles ($ 75,000)
Temoche Ronnie (The Inca , La Boba and the Son of Thief / Distribution) 80,000 soles (30.000 dollars)
Luis Quequezana (Sounds Live / Post Production): 210,000 soles ($ 75,000)
IBERMEDIA RESULTS EVERY YEAR
2001 : Chicho Durant (Mercury is not a planet, change the name to Doble Juego): $ 150.000.
Augusto Tamayo (A Shadow Front / Project Development): $ 10.000.
Augusto Tamayo (A Shadow Front / Project Development): $ 10.000.
2002 : Chicho Durant (The Guardian of Fire / Development Projects): $ 10.000 (Nothing is known of this project. It seems that did not develop anything, it was never presented as a script or project in any competition )
Gustavo Sánchez (Producer Love Dust): $ 90.000.
2003: Augusto Tamayo (A Shadow Front): $ 150.000.
2004 : Chicho Durant (Paradise / Project Development): 5.000 dollars (Another project for which nothing is known, it is assumed that later changed its name to the award)
Francisco Lombardi (great looks, change the name to Sight): $ 150.000.
2005: Peru did not attend the meeting.
2006 : Projects submitted in 2005 became subject to, and declared winners 2006:
2006 : Projects submitted in 2005 became subject to, and declared winners 2006:
Chicho Durant (The Prize): $ 105.000
Ronnie Temoche (El Inca, La Boba and The Thief's Son): $ 115.000
2007: Francisco Lombardi (It): $ 85.000
Source:
http://lacinefilianoespatriota.blogspot.com/2010/12/chicos-de-la-apcp-que-manera-de-ganar.html
http : / / ciniestro.blogspot.com/2010/12/la-loteria-de-conacine.html
2008 : Augusto Tamayo (The Vigil): $ 90.000.
2009 : Luis Quequezana (for the documentary Living Sounds): $ 120.000 (highest Ibermedia funding provided by a Peruvian film)
Gustavo Sánchez (Producer Bolero Evening): 103.000 dollars.
2010 : Augusto Tamayo (La Vigilia / Delivery or help foreign distribution): $ 8.000
(rare case that competed with the film that won several OCTOBER important achievements. At the time Tamayo's vigil had not even premiered.
The gentlemen mentioned above: Augusto Tamayo, Francisco Lombardi, Alberto Durant, Gustavo Sanchez, Frank Pérez Garland, Eduardo Mendoza, Luis Quequezana Alvaro Velarde, Ronnie Temoche belong to the Association of Producers Cinema of Peru, APCP, which is the group that publicly supports the Swine Act, which only seeks to provide more money to CONACINE, so that they can win in competitions. The APCP, in all these years has been in control of the Board of CONACINE.
Source:
http://lacinefilianoespatriota.blogspot.com/2010/12/chicos-de-la-apcp-que-manera-de-ganar.html
http : / / ciniestro.blogspot.com/2010/12/la-loteria-de-conacine.html
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