Monday, June 7, 2010
How To Act With A Guy You Like
"Reminiscences" or self-reference that makes the difference.
Anyone with a bit of visual sensitivity, observed in detail situations and moments that suddenly become synaesthetic epiphanies. Suddenly, he turned the troubled inner chamber constructed unusual stories, which makes those mental frames levels, scenes and sequences for domestic enjoyment. Some, motivated by an inexplicable need for expression, assume the challenge of translating those ideas to a support material, dragging their passions outside eyes that can appreciate or despise with or without arguments.
When someone looks at this phenomenon, questions arise as crucial as children, what is thought? What is memory? What is the idea? And we, what is existence?, Is the reality, fiction, vision, hallucination. etc.? To be more specific, what is the film within that questions salad?
If someone sees "Reminiscences" of Juan Daniel Fernández , and not questioned in this way childish therefore lost time.
The premise of the movie tells us that John Daniel has lost her memory in an accident, so you must rebuild it based on recollections and archival videos reminiscent family. But when we enter the movie, or we attempt, we are forced to be part of that tangled neurological experience, full of synaptic waterlogging. In our over-stimulated society, it is very difficult to ask the audience to think while watching. Much more difficult is that it identifies, sympathetic, but certainly no one can shun build. And in this case, lacks a history, but a life based on images, in an unusual interaction in films (national). Author, and public works are one, by more than 80 minutes it takes the film clarity, reality, objectivity, all that is waiting at the door of the projection room, to (be) ends the film with us. That is an accomplishment very difficult to achieve, and much more remarkable when it is a debut.
The (re) construction that we are aware there is no logic mixed up. The chronology is a delicacy of the psyche, the conceit that we leave as we assume that we live. Therefore, the work of John Daniel speaks of intricate ties that suggest origins, places and people who do not need to appear, which are themselves presences, both in memory, as in the movie. The episodes in the mind of John Daniel (allied to record video), the time caught in them and the pregnancy of each image are fighting the uprooting, are subject to the neurons, while forgetting that momentum pushes torrent, tearing lobes threads of perceptual reality. The screen is distorted, the colors are muddy and the lived life is relived, jumping Freud, in a montage that takes us as a simulator for three generations, three stages, with three different looks in seven chapters that have caught the jungle, the coast, the mountains, overseas locations, the coffee, the river, festivals, privacy, a choppy frame cerebral alchemy, scratched, burned, and shifting ... and is only encouraged.
Referring to Jonas Mekas, Stan Brakhage , Narcisa Hirsch and other conventional blown film is not necessary: \u200b\u200bJuan Daniel makes his own reference, creates its own tradition, its own language; is his style, his film, his films, his life. There are no references on this type of cinema in the country, so it is important to our moment; a time of renewal, of fragmentation and new blood, which is generated at the back of prejudice and almost dogmatic positions . Before an industry, which according to some, diversify products, you should consider the diversification of the eye. A new film also requires some new looks, greater openness to proposals which, after all, are those that give real returns for the cultural image of the country, as happened in the Philippines, Romania (curious is the case Thailand, which was reactivated as an industry taking bastions of art cinema, copyright and experimental), among others who understand that exposing a film, does not mean as much, especially taking into account the socioeconomic conditions of these countries, which have undoubtedly a prestigious film without first resorting to a heavy industrial production.
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