Masquerade 2010 Prom Dresses

PREMIERE OF "3" and talks "THE NEED FOR A NEW CINE PERUANO" IN THE UTP

The premiere of the third film in kinesthesia, "3" has been rescheduled for Wednesday July 7, 2010, at 7:30 pm in the main auditorium "Gallegos Angelica Escobedo" Technological University of Peru (Av. Petit Thouars 116, Lima) . And as planned, at the end of the screening will be held chat show "THE NEED FOR A NEW FILM IN PERU" , with the presence of film critic Mario Castro Cobos, film director Juan Daniel Fernández and collective kinesthesia .

Admission is free.

We leave you with the information of the film:

Original title : "3"
Address: Eduardo Alarcon and Jim Marcelo Quispe
Duration: 68 minutes
Production year: 2010
Production: kinesthesia productions, with support from Project
Side B Edition: Jim Marcelo Santiago Quispe Eduardo Alarcón
Starring: Karla Mallma, Giulianna Mallma, Heidi Fifth, Israel Figueroa, Eduardo Quispe, Hugo Palomino, Jackeline Castillo, Miguel Vargas, Karin Paz, Claudia Crespo.

Synopsis:

A city, a park, any one time. The film portrays a group of young Lima, who talk about their lives, their interests, achievements, disappointments, disappointment, the commonplace, the privacy of each, showing worlds apart by the benches and sidewalks, but related by space Park-time, approaching to give a microscopic view of a generational reality which the protagonists do not quite understand and adapt. The film oscillates between naturalistic fiction and documentary. It was recorded in one take sequence.

Anecdotes of the film:

· Production began in early February 2010 and planned finish was recorded at the end of March. Finally finished recording in June 2010.

· The reasons for the delay were varied, and some curious quite painful. There were many difficulties in coordination with the cast and they all worked on a voluntary basis and had to find a schedule of all matches. Started the coordination meetings were being organized on the level and form of participation of each team member, and initial members were withdrawing from the project due to several issues unrelated to the film. It required a minimum of 12 people to go and had to recruit again.

· Another reason was a health problem Eduardo Quispe, ulcerative colitis that led to surgery. It tests were postponed and meetings during the weeks prior to and following intervention. The cast was reduced again.

· Similarly, the cast had health problems, including colds and infections, delayed recording.

· The recording had to repeat 3 times to achieve the expected result.

· After the second recording, the entire team went to celebrate at a nearby pizza place to the location. To record the moment on camera and record, forgetting that the tape had fallen to review some shots. We therefore had to make the third and final recording.

· dedicate the film to the mother of Miguel Vargas, who died two weeks before finishing the recording. We also welcome that Michael has continued to support the project, despite the difficult time it was experiencing.

Eduardo Quispe talks about the film:

"Earlier this year, I made a list of which I believe had been the most momentous films the decade. Topped that list, "Russian Ark" by Alexander Sukurov. The reason for this choice was that finally a movie had dispensed with the traditional editing and assembly, which is to be the process where the film ends up being more or less what we see on screen. That was not only an affront to conventional film, whose main attraction is based on the reactions achieved by mounting rate (closely linked to the video clip and pyrotechnic products Jerry Bruckheimer-style television ), but also means a commitment to generating idea for the film, no retouching, no post effects. I know the film is not the best example of this, but brings to mind a lot of possibilities. I decided

not complete the list, but if you start writing a draft of what could be "3", a film and hold the REC button for more than an hour.

I also know that there are many movies shot in this way or that premise, from the rope, the master Hitchcock, the irregular Timecode by Mike Figgis, the Mexican real time Fabrizio Prada, "The House moves" horror film Uruguay recently premiered at Cannes, among other titles that have already explored some possibilities, which in my case I served as a reference. Additionally, not wanting to be a movie than a single sequence, so we decided, with Jim to make an introduction you stick your tongue to that label.

We want to return to explore the complexity of relationships in these times of rapid change, media hype, distrust and isolation. Now we extend to family relations, Amicale, among strangers, and among people missing, all in a microcosm of the park. If it is difficult to make a film of a single shot sequence, much harder to recreate any one time, without there being too theatrical performances where the text or steal spontaneous dialogues, situations of forced drama, comedy or vertiginous action.