Four cult films. Four unknown masterpieces. Four spiritual films, deep, forbidden, liberating, narrowly-distributed, almost impossible to do, usually misunderstood and as part of a secret history of cinema.
Cineclub of Cayetano Heredia .- Monday. 7 pm. Av Armendariz 445, Miraflores. Free admission.
Monday, 13 September:
Yeelen, Souleymane Cissé (Light. Mali, 1987, 106 min.)
With this example of film 'transcendental' Africa presents an entirely independent of foreign influences in a time before the arrival of Islam or Christianity. Through brilliant exploration of mythic roots and ancestral knowledge shows that the inspiration Yeelen democracy against dictatorship and tyranny in Africa from the legacy of his own past and not the West.
Monday, 20 September:
Vase de Noces, Thierry Zeno (wedding vase. Belgium, 1974, 80 min).
Shot in black and white, with a single human actor with different sounds and melodies that do not miss the word. Sublime, extreme, allegorical paintings inspired by Bosch, the analysis of Jung and the Pasolini film, involves a key poetic reflection on the loneliness of the man and his return to a number of primary experiences, 'mythical' and pre-linguistic.
Monday 27 September:
Angst, Gerald Kargl (The anguish of fear, Austria, 1984, 94 min).
"I was very interested in the psychology of serial murderer (Kniesek) and wanted to provide a deeper view of his psyche, largely through the narration in real time and your inner voice, continuously present in the voiceover. " Considered superior to 'Henry: Portrait of a serial murderer' by John MacNaughton (1986) and reference work for the cinema of Michael Haneke.
Monday October 4:
Themrock, Claude Faraldo (France, 1973, 104 min.) Satire
anarchist. "Years ago, a worker stopped work and felt ashamed, and I was nobody. Now you meet a guy who says:" I've been unemployed for two years and I will try to renew for another year, and this is fine . In Themroc talk about that. We also talked about making love with your sister is fine, if she agrees. We must end the old bourgeois taboos. I found freedom too late. I mean your individual freedom, intimate, which is very important. "
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