ICR REVOLUTIONARY IMAGE AND COMMUNICATION

Tuesday, June 22, 2010

Masquerade 2010 Prom Dresses

PREMIERE OF "3" and talks "THE NEED FOR A NEW CINE PERUANO" IN THE UTP

The premiere of the third film in kinesthesia, "3" has been rescheduled for Wednesday July 7, 2010, at 7:30 pm in the main auditorium "Gallegos Angelica Escobedo" Technological University of Peru (Av. Petit Thouars 116, Lima) . And as planned, at the end of the screening will be held chat show "THE NEED FOR A NEW FILM IN PERU" , with the presence of film critic Mario Castro Cobos, film director Juan Daniel Fernández and collective kinesthesia .

Admission is free.

We leave you with the information of the film:

Original title : "3"
Address: Eduardo Alarcon and Jim Marcelo Quispe
Duration: 68 minutes
Production year: 2010
Production: kinesthesia productions, with support from Project
Side B Edition: Jim Marcelo Santiago Quispe Eduardo Alarcón
Starring: Karla Mallma, Giulianna Mallma, Heidi Fifth, Israel Figueroa, Eduardo Quispe, Hugo Palomino, Jackeline Castillo, Miguel Vargas, Karin Paz, Claudia Crespo.

Synopsis:

A city, a park, any one time. The film portrays a group of young Lima, who talk about their lives, their interests, achievements, disappointments, disappointment, the commonplace, the privacy of each, showing worlds apart by the benches and sidewalks, but related by space Park-time, approaching to give a microscopic view of a generational reality which the protagonists do not quite understand and adapt. The film oscillates between naturalistic fiction and documentary. It was recorded in one take sequence.

Anecdotes of the film:

· Production began in early February 2010 and planned finish was recorded at the end of March. Finally finished recording in June 2010.

· The reasons for the delay were varied, and some curious quite painful. There were many difficulties in coordination with the cast and they all worked on a voluntary basis and had to find a schedule of all matches. Started the coordination meetings were being organized on the level and form of participation of each team member, and initial members were withdrawing from the project due to several issues unrelated to the film. It required a minimum of 12 people to go and had to recruit again.

· Another reason was a health problem Eduardo Quispe, ulcerative colitis that led to surgery. It tests were postponed and meetings during the weeks prior to and following intervention. The cast was reduced again.

· Similarly, the cast had health problems, including colds and infections, delayed recording.

· The recording had to repeat 3 times to achieve the expected result.

· After the second recording, the entire team went to celebrate at a nearby pizza place to the location. To record the moment on camera and record, forgetting that the tape had fallen to review some shots. We therefore had to make the third and final recording.

· dedicate the film to the mother of Miguel Vargas, who died two weeks before finishing the recording. We also welcome that Michael has continued to support the project, despite the difficult time it was experiencing.

Eduardo Quispe talks about the film:

"Earlier this year, I made a list of which I believe had been the most momentous films the decade. Topped that list, "Russian Ark" by Alexander Sukurov. The reason for this choice was that finally a movie had dispensed with the traditional editing and assembly, which is to be the process where the film ends up being more or less what we see on screen. That was not only an affront to conventional film, whose main attraction is based on the reactions achieved by mounting rate (closely linked to the video clip and pyrotechnic products Jerry Bruckheimer-style television ), but also means a commitment to generating idea for the film, no retouching, no post effects. I know the film is not the best example of this, but brings to mind a lot of possibilities. I decided

not complete the list, but if you start writing a draft of what could be "3", a film and hold the REC button for more than an hour.

I also know that there are many movies shot in this way or that premise, from the rope, the master Hitchcock, the irregular Timecode by Mike Figgis, the Mexican real time Fabrizio Prada, "The House moves" horror film Uruguay recently premiered at Cannes, among other titles that have already explored some possibilities, which in my case I served as a reference. Additionally, not wanting to be a movie than a single sequence, so we decided, with Jim to make an introduction you stick your tongue to that label.

We want to return to explore the complexity of relationships in these times of rapid change, media hype, distrust and isolation. Now we extend to family relations, Amicale, among strangers, and among people missing, all in a microcosm of the park. If it is difficult to make a film of a single shot sequence, much harder to recreate any one time, without there being too theatrical performances where the text or steal spontaneous dialogues, situations of forced drama, comedy or vertiginous action.

Thursday, June 10, 2010

Soda Causes Canker Sores?

Dwell on the number nine

Today, otherwise it repeats and I want to thank my friend, my lover, my partner and blood brother.
(I'm way up on the gigs and I can not stop thinking of you graphically, but I have not forgotten, Vampire)

Monday, June 7, 2010

How To Act With A Guy You Like

"Reminiscences" or self-reference that makes the difference.

Anyone with a bit of visual sensitivity, observed in detail situations and moments that suddenly become synaesthetic epiphanies. Suddenly, he turned the troubled inner chamber constructed unusual stories, which makes those mental frames levels, scenes and sequences for domestic enjoyment. Some, motivated by an inexplicable need for expression, assume the challenge of translating those ideas to a support material, dragging their passions outside eyes that can appreciate or despise with or without arguments.

When someone looks at this phenomenon, questions arise as crucial as children, what is thought? What is memory? What is the idea? And we, what is existence?, Is the reality, fiction, vision, hallucination. etc.? To be more specific, what is the film within that questions salad?

If someone sees "Reminiscences" of Juan Daniel Fernández , and not questioned in this way childish therefore lost time.

The premise of the movie tells us that John Daniel has lost her memory in an accident, so you must rebuild it based on recollections and archival videos reminiscent family. But when we enter the movie, or we attempt, we are forced to be part of that tangled neurological experience, full of synaptic waterlogging. In our over-stimulated society, it is very difficult to ask the audience to think while watching. Much more difficult is that it identifies, sympathetic, but certainly no one can shun build. And in this case, lacks a history, but a life based on images, in an unusual interaction in films (national). Author, and public works are one, by more than 80 minutes it takes the film clarity, reality, objectivity, all that is waiting at the door of the projection room, to (be) ends the film with us. That is an accomplishment very difficult to achieve, and much more remarkable when it is a debut.

The (re) construction that we are aware there is no logic mixed up. The chronology is a delicacy of the psyche, the conceit that we leave as we assume that we live. Therefore, the work of John Daniel speaks of intricate ties that suggest origins, places and people who do not need to appear, which are themselves presences, both in memory, as in the movie. The episodes in the mind of John Daniel (allied to record video), the time caught in them and the pregnancy of each image are fighting the uprooting, are subject to the neurons, while forgetting that momentum pushes torrent, tearing lobes threads of perceptual reality. The screen is distorted, the colors are muddy and the lived life is relived, jumping Freud, in a montage that takes us as a simulator for three generations, three stages, with three different looks in seven chapters that have caught the jungle, the coast, the mountains, overseas locations, the coffee, the river, festivals, privacy, a choppy frame cerebral alchemy, scratched, burned, and shifting ... and is only encouraged.

Referring to Jonas Mekas, Stan Brakhage , Narcisa Hirsch and other conventional blown film is not necessary: \u200b\u200bJuan Daniel makes his own reference, creates its own tradition, its own language; is his style, his film, his films, his life. There are no references on this type of cinema in the country, so it is important to our moment; a time of renewal, of fragmentation and new blood, which is generated at the back of prejudice and almost dogmatic positions . Before an industry, which according to some, diversify products, you should consider the diversification of the eye. A new film also requires some new looks, greater openness to proposals which, after all, are those that give real returns for the cultural image of the country, as happened in the Philippines, Romania (curious is the case Thailand, which was reactivated as an industry taking bastions of art cinema, copyright and experimental), among others who understand that exposing a film, does not mean as much, especially taking into account the socioeconomic conditions of these countries, which have undoubtedly a prestigious film without first resorting to a heavy industrial production.

Tuesday, June 1, 2010

How Do You Make The Peach Fuzz

Sometimes one looks for that one too called "messages of hope. " They are not Catholic hymns and revolutionary slogans printed or sign as you remember the great klucis , no. This is, plain and simple, small significant stimuli that can make you breathe, and live-better if sometimes short of breath.

I'm not talking about interpretations mystical, philosophical or financial considerations and, therefore, erratic or lacking in perspective. Frequently and unfortunately, much as the chase, sometimes these messages do not exist, much less do so when the one I write is in the train car where, where to look you , air conditioning not working properly, the demographics are playing with a skipping rope - a 36-seater wagon with her three offspring cries under 18 months, and the space you've supposedly gone to Seville, just , does not advance. Then

pagers. Embark on a space-worthy scorn Belgian Poirot and having the little big "message of hope" because, for those who have discovered the defect to find happiness in the distance, there may be many.

That the service may display a green light freedom , for example (do I have to apologize for using an image that becomes wonderfully hyperbolic phrase "the bathroom is free"?). A voice-neutral accent (remember it, have heard a thousand times) proclaimed by the speakers cracked "on this train beverage vending machines." And, above all, to read at red lights-pixel and half way between the carnage of the ce NTER commercial and neon cuasiburdelístico next destination, which coincides with yours.

However, and unfortunately, I have come to call "messages of hope" in a train does not exist. And, of course, if they do not listen to them. It is clear and we all know: we like it or not, as I write this, the service is free (remember the green light freedom ) because it emanates a stench that prevents approach him less than six meters drink more addictive than "waiver machine of this train is something called Sunny Delight , and the one that began, continued and completed esc ribiendo this, stands making photos of the landscape, a strange building that is on your right and the sign hor fucking Aryan and butcher to find that missing two hours to get home.